I Swear It's ...

Caroline Rose

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6/8/18
Denver, CO
Larimer Lounge
Map of Colorado, USA
4.5 Stars
Should be famous. I was first turned onto Caroline Rose’s 2018 album Loner by some taste-making blogs I read. Judging a few songs leaked before the thing was even released, they were already calling the LP one of the year’s best. I was intrigued, and listened to what I could, including Rose’s debut from a few years prior. Hooked immediately, I was a fan by the time Loner finally came out in full, and only fell harder once I heard its deeper tracks. I knew nothing about this talented artist except for her recordings and a handful of videos featuring her dark and self-deprecating sense of humor, and I was NOT prepared for her live show. She’s a fucking nut, and her band’s a bunch of nuts. That’s a compliment. There’s nothing worse than a boring rock show, and hers was as far from boring as one could hope for. Caroline jumps around between guitar, keyboards and lead vocal duties; she sweats through her headband like LeBron James; she chugs beers mid-song for a chance to belch into the mic; and somehow it all comes across as totally charming. It helped that this show was at the thimble-sized Larimer Lounge (a Denver landmark I had never had the pleasure of experiencing before this night): when the band members engaged in girl/girl/boy/boy tongue kisses and swapped stories about sex on your period and lept from behind their instruments for an on-stage pig pile (all of those things happened) you were literally right in there with them. The songs, outstanding on record, were more muscular live, more frantic and urgent, like a punk show but somehow also totally earnest, played not for laughs but like Rose’s life depended on it. On the weight of the stellar Loner alone, this artist should be playing on every radio station and every late night talk show. And one more thing: her openers on this tour, Cardioid, were also incredible. I can’t wait to see what both of these bands do next. Setlist


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Khruangbin

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4/23/18
Denver, CO
Bluebird Theater
Map of Colorado, USA
3.5 Stars
Slowly building masterclass. I knew nothing about Khruangbin before my buddy Brian invited me to this one, but it didn’t take long on Spotify to educate myself. The music is mostly mellow, with a lounge-y surf vibe in many parts, but the guitarist is amazing, and some of the songs really get going. Going into it I was super curious to see what the band did with an audience. It was a great show. It’s crafting was masterful: the set started just as mellow as on record — the sold-out crowd easing into it, quietly swaying along to the music — but built slowly as the tiny Bluebird Theater got hotter and sweatier. It wasn’t until an hour in that we realized the band’s ballsiest songs were coming all at once, whipping up the place like cream. We left euphoric. And those of us who weren’t fans when the show was announced, definitely were now. Setlist


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Alt-J

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10/12/16
Denver, CO
Fillmore Auditorium
Map of Colorado, USA
2.5 Stars
Technically great … but. Seeing a band you like in concert for the first time is a funny thing: you want the best blend of what you’ve loved on record and how you’d love to see that unspool live. You want it to be expected enough as an entry point but surprising enough that you’d never expect to love what you loved. When the band’s recorded output is all over the stylistic map, as Alt-J’s music really is, you really have no idea what to expect. For me it ended up being a tricky one to put my finger on. Sound-wise, this show was pretty great — the three members onstage created a lot of beautiful noise with impressive technical craftsmanship — but the songs are more aural acrobatics than straight-ahead stadium rockers, great if you’re stoned and blissed but challenging if you’re looking for a rocking riff to ride to shore. I’ll see them again, and knowing a bit more of what to expect will make it a better experience. Setlist


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Rostam

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2/16/18
Denver, CO
Globe Hall
Map of Colorado, USA
2.5 Stars
A mixed bag. I had lots of reasons for buying a ticket to see this guy — he’s a founding member of my beloved Vampire Weekend, he’s a brilliant and influential producer, his solo material is intriguing — but didn’t know what to expect from his live show. It was a mixed bag. The bad? The screen projections behind the band were distracting. And I was really conflicted over the instrumentation of his touring band: he brought no guitars nor keyboards nor bass, just a string section playing most of the instrumental parts of every song, and pre-recorded tracks filling in the blanks. The strings were unbelievably fantastic — they cast recognizable songs from his solo catalog in a brand new light, and I give him a lot of credit for doing something different — but there was way too much recorded stuff filling in the spaces the strings and the drummer couldn’t cover. Rostam is a fantastic multi-instrumentalist; it would have been so cool to see him bouncing around between lots of different instruments and playing them live … but instead he just pressed play on tracks. The good stuff saved it for me: he showed real skill crafting a set list — it told a neat story over the course of the show — and it was a treat to see a star like Rostam in a club as tiny as Denver’s Globe Hall. Overall, though, opportunities were missed. Setlist


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The Killers

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2/5/18
Broomfield, CO
1STBANK Center
Map of Colorado, USA
3.5 Stars
Larger than life. The Killers have always held a special place in my family’s hearts: for my kids they’ve been a sing-along staple since their debut, and that debut was such a touchstone moment in Aida’s and my history of modern rock fandom. We don’t always all agree on our tastes in music but we could always agree on The Killers’ Hot Fuss. This Broomfield show was our third time seeing them live and their energy and musicianship was on point as ever. The stage set was monolithic — featuring huge neon signs reminiscent of their Vegas hometown — and frontman Brandon Flowers prowled all of it like the pro that he is. The thumping sound was full and loud, the guitar assault was full-on, and the confetti cannons covered everything in sight. The usual anthems were all there — “All These Things That I’ve Done,” “Human,” “Mr. Brightside” — but their latest and greatest, “The Man,” was, for me, the highlight. Year after year, this band gets invited to headline the world’s biggest festivals, regardless of what new music they may or may not be promoting at the time; this show, huge in both sound and spectacle, was a reminder of why that is and why they deserve it. Setlist


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My Morning Jacket

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12/29/17
Broomfield, CO
1STBANK Center
Map of Colorado, USA
3.5 Stars
Peace and music. Mere feet from the rail. Lots of fans flying in from all over the country to take in these, some of the last shows being played by this band this decade. Deep cuts like “Knot Comes Loose”; white whales like “Aluminum Park”; extended jams like Carl’s “Carried Away”. Beer flowing. Smiles everywhere. Posters purchased; glitter and costumes. A twenty-piece disco ball monolith hanging from the ceiling, melting faces. It’s My Morning Jacket and I’m with my friends to take in the first night of a three-night New Years Eve run. Life is good. Setlist


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Grizzly Bear

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12/3/17
Denver, CO
Ogden Theatre
Map of Colorado, USA
4 Stars
Bewitching night noise. I’ve always thought this band’s music was fussed over in studios and best listened to on headphones. I had never heard it played live so I was anxious for the experience. I shouldn’t have worried. I already knew the songs were fantastic — especially this tour’s material from the amazing Painted Ruins — but didn’t know the places this band could take them on stage. They were given new life. Quiet got loud, pensive got snarled. I never knew what was coming next. And it was fun watching Ed and Daniel trade verses back and forth, seeing Chris wrangle a new instrument every couple of songs, and trying to follow drummer Christopher’s hands moving wildly around his kit. One of my favorite parts of Grizzly Bear’s music — the vocal harmonies, so gorgeous on record — were reproduced confidently, and were an incredible showcase for The Ogden’s cavernous acoustics. In fact, the dreamy nighttime quality of the music was perfectly suited for this dark and cozy venue. An awesome show. I’ll definitely be catching these guys again. Setlist


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LCD Soundsystem

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11/11/17
Broomfield, CO
1STBANK Center
Map of Colorado, USA
4.5 Stars
Confident and catchy. There’s something refreshing about seeing a scruffy old guy do whatever the fuck he wants in front of an arena full of hipsters. That was James Murphy working the stage this night: letting his fat belly poke out from under his button-down shirt while singing away his mid-life crises. He hit the high notes. He bantered about the absurdity of rockstar etiquette. And all while promoting a (fantastic) album he claimed he was never going to make. I can’t not love this guy. Nor can I imagine him playing with a different group of musicians, not while watching them playfully tease each other giggling onstage. The music is catchy as hell, played fast and without flaw. New songs “Oh Baby” and “Call The Police” were standouts in a set of near-perfect selections. I’m a fan for life. Setlist


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Queens Of The Stone Age

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10/10/17
Morrison, CO
Red Rocks Amphitheater
Map of Colorado, USA
3 Stars
Bringin’ the rawk. The music fan cannot live on earnest singer-songwriters alone. Sometimes he needs some cocky headbanging swagger to slap all that sensitive around a bit. Queens brought it this night. They came out swinging with a mix of new and old (including barn-burner “Feet Don’t Fail Me”) and only let up long enough to give frontman Josh Homme some time for band introductions and drunken banter. And, fucking hell, support from Royal Blood? They were awesome. A lot of beautiful noise from only two guys. I wanted the rawk, I got the rawk. Setlist


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Fleet Foxes w/ Beach House

Beach House

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Fleet Foxes

9/27/17
Morrison, CO
Red Rocks Amphitheater
Map of Colorado, USA
3 Stars
A straight read. I got pretty much what I expected during this show: complex arrangements, acoustic guitars, vocal harmonies. Those vocals, though. Robin Pecknold has got one of rock’s great voices that, live, does not waver. It’s stunning, and it was front and center on songs sung solo (“Montezuma” and “Oliver James”) and with the band (“Helplessness Blues”). It blew me away. And it took watching bassist Christian Wargo to realize his contributions to the depth of Fleet Foxes’ music. There was some nice work on some lovely songs (the older stuff like “Mykonos” offered the highlights for me) but I think it’s all better suited to a smaller space than the vast outdoor-ness of Red Rocks. Same for opener Beach House, another long-time favorite of mine I was seeing for the first time. Setlist


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