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Caroline Rose

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6/8/18
Denver, CO
Larimer Lounge
Map of Colorado, USA
4.5 Stars
Should be famous. I was first turned onto Caroline Rose’s 2018 album Loner by some taste-making blogs I read. Judging a few songs leaked before the thing was even released, they were already calling the LP one of the year’s best. I was intrigued, and listened to what I could, including Rose’s debut from a few years prior. Hooked immediately, I was a fan by the time Loner finally came out in full, and only fell harder once I heard its deeper tracks. I knew nothing about this talented artist except for her recordings and a handful of videos featuring her dark and self-deprecating sense of humor, and I was NOT prepared for her live show. She’s a fucking nut, and her band’s a bunch of nuts. That’s a compliment. There’s nothing worse than a boring rock show, and hers was as far from boring as one could hope for. Caroline jumps around between guitar, keyboards and lead vocal duties; she sweats through her headband like LeBron James; she chugs beers mid-song for a chance to belch into the mic; and somehow it all comes across as totally charming. It helped that this show was at the thimble-sized Larimer Lounge (a Denver landmark I had never had the pleasure of experiencing before this night): when the band members engaged in girl/girl/boy/boy tongue kisses and swapped stories about sex on your period and lept from behind their instruments for an on-stage pig pile (all of those things happened) you were literally right in there with them. The songs, outstanding on record, were more muscular live, more frantic and urgent, like a punk show but somehow also totally earnest, played not for laughs but like Rose’s life depended on it. On the weight of the stellar Loner alone, this artist should be playing on every radio station and every late night talk show. And one more thing: her openers on this tour, Cardioid, were also incredible. I can’t wait to see what both of these bands do next. Setlist


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Khruangbin

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4/23/18
Denver, CO
Bluebird Theater
Map of Colorado, USA
3.5 Stars
Slowly building masterclass. I knew nothing about Khruangbin before my buddy Brian invited me to this one, but it didn’t take long on Spotify to educate myself. The music is mostly mellow, with a lounge-y surf vibe in many parts, but the guitarist is amazing, and some of the songs really get going. Going into it I was super curious to see what the band did with an audience. It was a great show. It’s crafting was masterful: the set started just as mellow as on record — the sold-out crowd easing into it, quietly swaying along to the music — but built slowly as the tiny Bluebird Theater got hotter and sweatier. It wasn’t until an hour in that we realized the band’s ballsiest songs were coming all at once, whipping up the place like cream. We left euphoric. And those of us who weren’t fans when the show was announced, definitely were now. Setlist


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Alt-J

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10/12/16
Denver, CO
Fillmore Auditorium
Map of Colorado, USA
2.5 Stars
Technically great … but. Seeing a band you like in concert for the first time is a funny thing: you want the best blend of what you’ve loved on record and how you’d love to see that unspool live. You want it to be expected enough as an entry point but surprising enough that you’d never expect to love what you loved. When the band’s recorded output is all over the stylistic map, as Alt-J’s music really is, you really have no idea what to expect. For me it ended up being a tricky one to put my finger on. Sound-wise, this show was pretty great — the three members onstage created a lot of beautiful noise with impressive technical craftsmanship — but the songs are more aural acrobatics than straight-ahead stadium rockers, great if you’re stoned and blissed but challenging if you’re looking for a rocking riff to ride to shore. I’ll see them again, and knowing a bit more of what to expect will make it a better experience. Setlist


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Rostam

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2/16/18
Denver, CO
Globe Hall
Map of Colorado, USA
2.5 Stars
A mixed bag. I had lots of reasons for buying a ticket to see this guy — he’s a founding member of my beloved Vampire Weekend, he’s a brilliant and influential producer, his solo material is intriguing — but didn’t know what to expect from his live show. It was a mixed bag. The bad? The screen projections behind the band were distracting. And I was really conflicted over the instrumentation of his touring band: he brought no guitars nor keyboards nor bass, just a string section playing most of the instrumental parts of every song, and pre-recorded tracks filling in the blanks. The strings were unbelievably fantastic — they cast recognizable songs from his solo catalog in a brand new light, and I give him a lot of credit for doing something different — but there was way too much recorded stuff filling in the spaces the strings and the drummer couldn’t cover. Rostam is a fantastic multi-instrumentalist; it would have been so cool to see him bouncing around between lots of different instruments and playing them live … but instead he just pressed play on tracks. The good stuff saved it for me: he showed real skill crafting a set list — it told a neat story over the course of the show — and it was a treat to see a star like Rostam in a club as tiny as Denver’s Globe Hall. Overall, though, opportunities were missed. Setlist


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Grizzly Bear

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12/3/17
Denver, CO
Ogden Theatre
Map of Colorado, USA
4 Stars
Bewitching night noise. I’ve always thought this band’s music was fussed over in studios and best listened to on headphones. I had never heard it played live so I was anxious for the experience. I shouldn’t have worried. I already knew the songs were fantastic — especially this tour’s material from the amazing Painted Ruins — but didn’t know the places this band could take them on stage. They were given new life. Quiet got loud, pensive got snarled. I never knew what was coming next. And it was fun watching Ed and Daniel trade verses back and forth, seeing Chris wrangle a new instrument every couple of songs, and trying to follow drummer Christopher’s hands moving wildly around his kit. One of my favorite parts of Grizzly Bear’s music — the vocal harmonies, so gorgeous on record — were reproduced confidently, and were an incredible showcase for The Ogden’s cavernous acoustics. In fact, the dreamy nighttime quality of the music was perfectly suited for this dark and cozy venue. An awesome show. I’ll definitely be catching these guys again. Setlist


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Carnival time Velorama

Death Cab For Cutie

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Wilco

The New Pornographers

Saint Motel

8/11/17
Denver, CO
RiNo Arts District
Map of Colorado, USA
2.5 Stars
Saved by music. By the time this event was inaugurated it had been nearly a decade since Denver had a quality festival boasting lots of national touring acts: the Mile High Music Festival at Dick’s Park and the Monolith Festival at Red Rocks. I had been missing both terribly, so I had high hopes for this young buck entering the scene. The bill was promising: Wilco (a favorite of mine) and Death Cab For Cutie (a bucket-lister of mine) each headlining their own nights, with support from a few lesser bands I figured would be entertaining. The festival logistics and infrastructure were infuriating — navigating bad signage on the grounds, watching the main stage from a hot asphalt parking lot, waiting in hour-long lines for a single beer — and the crowd was packed so tight that you could forget about seeing anything at all if you left your hard-earned spot near the stage, but the music was mostly awesome. Death Cab blew me away with a very heavy, head-rattling show; Wilco brought an incredible set loaded with hits (“Impossible Germany”! Yes!); and Saint Motel crushed it with high energy and fantastic command of the crowd. I expected The New Pornographers to impress but they were utterly limp (they needed Neko Case; she didn’t show) and Tennis, a local favorite, was the worst thing a live act can be: boring. This festival is contracted for at least a few more years so I’ll be very curious to see what the next edition brings. It needs help but, if the talent comes, so will I. Setlist


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Sylvan Esso

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8/10/17
Denver, CO
Ogden Theatre
Map of Colorado, USA
3.5 Stars
Upbeat and cocksure. I absolutely love these North Carolina troublemakers so I can’t present an unbiased review of their live show. And this was my first time seeing them as headliners — not openers for other favorite bands — so I was doubly psyched. I’m assuming the rest of the assembled were in my same boat because people were going crazy for every note; Amelia had every soul eating out of her hand. She prowled the stage with a confidence I look for in my rock stars, and Nick did a killer job enabling her with his beats. I’m typically not a fan of music-by-laptop but these two make it work completely. The new material off What Now held its own alongside older favorites, each working the crowd into a sweaty froth. The stage set was cool, too, like a neon spaceship pulsing to the rhythm of the music. It was a perfect show for a stuffy theater and I couldn’t have been happier down on the floor to soak it all in. Setlist


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John Mayer

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8/19/17
Denver, CO
Pepsi Center
Map of Colorado, USA
3 Stars
Smorgasbord of sounds. Conceptual. Ambitious. And a little all over the place. These are a few of the ways I’d describe this show. For this tour, our boy arranged each show into separate multi-song “chapters”: some played solo acoustic, some with a full band, and some with his (terrific) cohorts that make up his John Mayer Trio. It’s a lot to pack into a single concert. Did it work? Yes and no. Stage sets were stunning but the transitions were sometimes clunky, showing their seams. Chapters were sometimes rushed, and the documentary-style videos that punctuated some of them were packed with hyperbole that no following set could pay off. But it was never dull. His band is fantastically stacked: each player can, and did, carry mind-blowing solos to match their boss’, no small feat considering Mayer’s playing keeps getting better and better each time we see him. And the audience experience changed so often that we never knew what to expect next. I can’t help but admire his inability to phone it in — a solo, a story, a tour — and I’ll continue to follow him down whichever road he chooses next. (I love his latest pop stuff … I wonder how that’ll show up the next time?) Setlist


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Jim James

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12/3/16
Denver, CO
Paramount Theatre
Map of Colorado, USA
4 Stars
The alchemist’s lab.  I did not expect the massive, manic energy on display here, on stage nor in the audience. I should have — I’ve seen enough My Morning Jacket shows to witness the ease with which this wizard assembles talent and stirs crowds — but I assumed a solo show would be more introspective, more folkie. It was those things but it was mostly a heavy, no-holds-barred rock show. The surprise that took me served me well. I was smitten, falling in love with this man and his music like we were meeting for the first time, like all those Jacket shows around the country had never nestled their way into my guts and heart. Like all great creators, Jim James has a knack for weaving together <em>universes</em>: he collects fellow musicians who compliment and expand the palette inherent in him (the cosmic keyboardist from Twin Limb), presents them in unexpected ways (two drummers!), and uses the brew to embrace and intoxicate his audience. We were drunk — literally, yes, but for sure figuratively — and losing our minds from almost the first note. His latest solo album has yet to work its way into my circuitry, so it’s expected that I got the most joy in hearing older songs like “A New Life” and “State Of The Art (AEIOU)” … but that sentiment must have been common because the place was whipped up in goddam froth by those late-set rippers, heads banging and sweat flying. It felt, for us in the audience, like a brotherhood, borrowed in part by the shared Jacket family, but cemented by this singular talent and the chemistry in which he made us all a part. Setlist


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Phantogram

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10/12/16
Denver, CO
Fillmore Auditorium
Map of Colorado, USA
3.5 Stars
Sexy blood-boiler. Modern rock is lousy with guitar-plus-keyboard, woman-fronted duos — Sleigh Bells, Beach House and Purity Ring stand out for me — but that doesn’t mean they can’t get you excited. These two New York-based troublemakers have been tweaking the formula for a while now … and always give fans plenty of opportunities to see their road show. And what a show. They came out like bulls in a china shop and never let up: bass crunch shaking your bones; live and electronic drums spilling your drink; all delivered with high-kicks and lit by lasers and strobes. Even their newest power-ballad, “Destroyer,” was sung by sexpot frontwoman Sarah while in a 10-foot-tall, smoke-breathing costume out of an alien battle fantasy. The band’s third album, heavy on danceable beats and collaborator Big Boi’s hip-hop influence, was released just days before, so its songs occupied much of the setlist. The crowd was feeling all of it, shaking their asses to material old and new. This show fell on my concert buddy William’s birthday so his celebratory energy fueled an already charged night. I was exhausted by the end of it. Setlist


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