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OneRepublic

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9/9/17
Englewood, CO
Fiddler’s Green Amphitheater
Map of Colorado, USA
4 Stars
A pleasant surprise. This band is one of the few that my entire family can listen to and enjoy together. They’re local favorites (founding members met at high school here in Colorado) so I got us tickets to what I hoped would be high-energy show for an enthusiastic home crowd. We got that and a whole lot more. Frontman Ryan Tedder is a gifted talent for whom showmanship and charisma come naturally, and his band was incredible. Zach Filkins is a gifted multi-instrumentalist, toggling between workmanlike guitar chops, beautiful flamenco picking and unexpected texture on viola; Brent Kutzle stayed busy crushing it in equal measures on electric bass and gorgeous cello; and Drew Brown astounded on lead guitar. Despite the show’s well-choreographed production value and elaborate stage sets, Tedder managed to keep things fresh. His between-song banter is charming, and he’s written enough hits — for his day band and for other megastars — to pepper his sets with left-field gems. The guy’s a machine: his muscular voice never wavered, even while running around the stage or, at one point, through the adoring crowd. I figured this show would be a fine family distraction for a Saturday night; I never predicted it would be one of my favorite shows of that summer. Setlist


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Phish

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9/3/17
Commerce City, CO
Dick’s Sporting Goods Park
Map of Colorado, USA
4.5 Stars
Phenomenal tour finale. Wow. Just … wow. I barely knew or recognized half of the songs played this night. “Buffalo Bill,” “Sugar Shack” and, apparently a thing, “Meatstick,” were all welcome surprises for me. And some of my old favorites — “Back On The Train” and “Also Sprach Zarathustra” included — showed up in peak form. As with most Phish shows I’ve attended, you didn’t need to be a card-carrying fan to enjoy the mind-boggling work onstage. Everything’s so expertly played to such an adoring crowd that it’s hard not to get caught up in it all. And I did, at no time more than a frenzied and breathless “First Tube” to end the night, the tour, and any doubts about the power these guys can wield onstage. Setlist


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The Lumineers

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8/25/17
Englewood, CO
Fiddler’s Green Amphitheater
Map of Colorado, USA
3 Stars
Hey Ho Hootenanny. I’ve always loved modern roots-tinged Americana music — the stuff that sounds at once well-worn and forward-facing. Not too old-timey but not too beholden to trends. These days there’s no shortage of bearded crews that fit this bill but, for me, there’s always been something special about The Lumineers. Whatever that something is, it was on full display this warm night just outside their home base of Denver. Voices had just the right mix of rasp and brightness; guitars and strings sounded fantastic together; and all of the “whup”s and “hey”s slid easily off their cuffs. And this band has some great tricks for creating intimacy among arena-size crowds. The performance was all a bit too earnest for me — I like a bit of rock-star swagger with my hippie homebodies — but, like all Americana artists trying to please these older fan bases, their toeing a delicate line, and I respect how they managed such an entertaining show. I’ll continue to play the shit out of their albums … and I’d absolutely see them again. Setlist


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Carnival time Velorama

Death Cab For Cutie

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Wilco

The New Pornographers

Saint Motel

8/11/17
Denver, CO
RiNo Arts District
Map of Colorado, USA
2.5 Stars
Saved by music. By the time this event was inaugurated it had been nearly a decade since Denver had a quality festival boasting lots of national touring acts: the Mile High Music Festival at Dick’s Park and the Monolith Festival at Red Rocks. I had been missing both terribly, so I had high hopes for this young buck entering the scene. The bill was promising: Wilco (a favorite of mine) and Death Cab For Cutie (a bucket-lister of mine) each headlining their own nights, with support from a few lesser bands I figured would be entertaining. The festival logistics and infrastructure were infuriating — navigating bad signage on the grounds, watching the main stage from a hot asphalt parking lot, waiting in hour-long lines for a single beer — and the crowd was packed so tight that you could forget about seeing anything at all if you left your hard-earned spot near the stage, but the music was mostly awesome. Death Cab blew me away with a very heavy, head-rattling show; Wilco brought an incredible set loaded with hits (“Impossible Germany”! Yes!); and Saint Motel crushed it with high energy and fantastic command of the crowd. I expected The New Pornographers to impress but they were utterly limp (they needed Neko Case; she didn’t show) and Tennis, a local favorite, was the worst thing a live act can be: boring. This festival is contracted for at least a few more years so I’ll be very curious to see what the next edition brings. It needs help but, if the talent comes, so will I. Setlist


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Sylvan Esso

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8/10/17
Denver, CO
Ogden Theatre
Map of Colorado, USA
3.5 Stars
Upbeat and cocksure. I absolutely love these North Carolina troublemakers so I can’t present an unbiased review of their live show. And this was my first time seeing them as headliners — not openers for other favorite bands — so I was doubly psyched. I’m assuming the rest of the assembled were in my same boat because people were going crazy for every note; Amelia had every soul eating out of her hand. She prowled the stage with a confidence I look for in my rock stars, and Nick did a killer job enabling her with his beats. I’m typically not a fan of music-by-laptop but these two make it work completely. The new material off What Now held its own alongside older favorites, each working the crowd into a sweaty froth. The stage set was cool, too, like a neon spaceship pulsing to the rhythm of the music. It was a perfect show for a stuffy theater and I couldn’t have been happier down on the floor to soak it all in. Setlist


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The Head And The Heart

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8/2/17
Morrison, CO
Red Rocks Amphitheater
Map of Colorado, USA
3.5 Stars
Back on track. This was the THATH show I had been waiting a while for. By this time the “Signs Of Light” songs had been seriously road-tested, the new line-up was really hitting its stride, and they had completely fallen in love with summer shows at Red Rocks. This was a warm night and the crowd was feeling as great as Aida and I were. We were all into it, and we were rewarded with a special encore appearance from Josiah Johnson, a founding member of the band who had been going through some brutal life issues and hadn’t played with them in years. Those three songs were a beautiful cap to an awesome night. Setlist


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Glass Animals

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7/26/17
Morrison, CO
Red Rocks Amphitheater
Map of Colorado, USA
3 Stars
Rain-soaked party. I was introduced to this band through Pandora and was immediately hooked. It’s the spastically elastic rhythms and perfect blend of keyboards and guitars. The vocals are the best kind of weird and the lyrics are never boring. All this makes for fantastic listening on record; what’s the live show like? Well, not too much different … in fact, not different enough. It’s true that the frontman, Dave Bayley, has a gift for the stage — he’s a live wire of energy, all exaggerated gestures, with feet constantly in motion — but that only illuminated his bandmates’ lack of the same. No bum notes, no missed cues; just flat in comparison. But those songs, holy shit. “Life Itself” and “Agnes” were standouts … but their small catalog’s so fantastic that any set would have worked. It rained like a motherfucker during this outdoor Red Rocks show — a 90-minute delay mid-set almost sent me packing up early — but the young crowd was waaaaaay into it, partying uninterrupted despite the bad weather, and I’m glad I stuck around ‘til the end. Setlist


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Phish

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7/25/17
New York, NY
Madison Square Garden
Map of Illinois, USA
4 Stars
Hello, old phriends! A business trip serendipitously dropped me into NYC on Night 4 of the band’s Baker’s Dozen run at Madison Square Garden. Despite letting my Phan status lapse long ago, I had to go. I’m glad I did. The experience reminded me why I fell in love with Phish shows in the first place: face-melting musicianship, a light show without equal, and the energy of the best fans in the world. My Baker’s Dozen night theme was “Jam-Filled” and boy was it. Proof point: I got the longest song played in tour history — “Crosseyed & Painless” (a favorite of mine!) coming in at over 33 minutes. If that sounds horrible to you then you would’ve hated this show. The music was insanely good — they’re at the top of their game at this point — but the real takeaway for me was simply being there and basking in those familiar feelings of euphoria and respect and curiosity. It rekindled my interest in attending Phish shows (see Phish, Dick’s Sporting Goods Park, 9/3/17 caught just a month later) and reminded me that, even after all this time, Phish are the best live act on the planet. Setlist


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John Mayer

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8/19/17
Denver, CO
Pepsi Center
Map of Colorado, USA
3 Stars
Smorgasbord of sounds. Conceptual. Ambitious. And a little all over the place. These are a few of the ways I’d describe this show. For this tour, our boy arranged each show into separate multi-song “chapters”: some played solo acoustic, some with a full band, and some with his (terrific) cohorts that make up his John Mayer Trio. It’s a lot to pack into a single concert. Did it work? Yes and no. Stage sets were stunning but the transitions were sometimes clunky, showing their seams. Chapters were sometimes rushed, and the documentary-style videos that punctuated some of them were packed with hyperbole that no following set could pay off. But it was never dull. His band is fantastically stacked: each player can, and did, carry mind-blowing solos to match their boss’, no small feat considering Mayer’s playing keeps getting better and better each time we see him. And the audience experience changed so often that we never knew what to expect next. I can’t help but admire his inability to phone it in — a solo, a story, a tour — and I’ll continue to follow him down whichever road he chooses next. (I love his latest pop stuff … I wonder how that’ll show up the next time?) Setlist


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Carnival time One Big Holiday 3

My Morning Jacket

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Gary Clark Jr.

The Head And The Heart

Lucius

Kurt Vile

Carl Broemel

2/4/17
Riviera Maya, MX
Hard Rock Hotel
Map of Riviera Maya, Mexico
4 Stars
Exceptional with exceptions. My expectations reach ever skyward for this annual festival so it’s expected that they’d be unmet eventually. Why this time? I see The Head And The Heart on the bill (a band My Morning Jacket has collaborated with in the past) so I expect something special onstage between them here … but no. I see Merrill Garbus on the bill (an artist My Morning Jacket has collaborated with in the past) so I expect something magically weird onstage between them here … but nope. I see Gary Clark Jr. on the bill (no past collaborations but IT’S GARY CLARK JR.) so I expect some bluesy collaborations between the guitarist and his compadrés … but nada. As far as collaborations go, the luscious ladies of Lucius saved the day with a virtual onstage residency — adding spot-on background harmonies to some of Jacket’s best songs, a trio of Pink Floyd classics and a cover of “The Night Time Is The Right Time” that I never knew was so needed. But, really, it’s three nights of My Morning Jacket so disappointment has no place here. The set lists were, of course, amazing. The sound was vastly improved over past years. AND GARY CLARK JR. WHATABADDASS. The weather was great and all of the One Big Family regulars were in attendance — and Brian and I made great friends with some new people — so a few unmet expectations may be forgiven. Oh, and Carl’s solo set. Was. So. Good. Setlist


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